Alia Bhatt did again Swimming for Promoting her new Bolly Top 5 'Shaandaar' Movie What are critics saying about the Shahid-Alia starrer

Vikas Bahl directed Shaandaar, Alia Bhatt starring Shahid Kapoor, Pankaj Kapoor and Kapoor Sanaa, which was released on October 22 Queen premium opera director was one of the most successful in 2014.

This is what the critics had to say about the second director outing-

Firstpost: martyr, Alia looks great, but this movie is not wonderful

Under normal circumstances, you'd think that when three of the four people credited with writing Reina join hands once again, the film will do will be a fun and smart. When entrusted with a big budget and luxury setting, wonderful film than expected. Shaandaar shows that these assumptions are wildly off base. It turned out the message that preceded rings X- Files and right on the money: Trust Not even one.
Cynics (as a server) can be imagined from Trailers Shaandaar he will not be quite as queen, but the new film directed by Vikas pal surprise. No one who saw the Queen can expect such a sharp decline in the narrative and skills of managers. After all, Shaandaar something like a meeting of the team from the Queen. Bahl is directed. Story by Bahl and Chaitally Parmar has written (part of the writing team is very Queen), with dialogues that Anvita Dutt, who co-wrote the dialogues of the queen. However, Shaandaar is the exact opposite of the title. He has written carelessly, lazily directed and completely mindless. Trust no one, in fact.
Shaandaar_380_ytubAlia Bhatt, Shahid Kapoor in Shaandaar. YouTube's.
Shaandaar gives fair warning that this film is a wonderful thing, from her first scene. The film opens with an animated sequence lousy and apathetic voice of the narrator off by Naseeruddin Shah. We learned that a girl named Alia was adopted by a man named Bipin Arora, who has a door handle, a bottle cap old beer, and talked mummy widow and the wife of a sinister. Apparently, no one understands why Pippen brought Alia home and grew up with a lot of love and compassion. Clearly, no one has seen in Basel and Parmar infallible imaginary world.
Years pass and the first episode of the cartoon characters become caricatures meat and bone fees. Inter (Alia Bhatt) raging insomniac now flitting around the gums, bathing in the middle of the night, eating bananas, read books and Google search like crazy - why is a girl to do in the darkness of the night? Pippen (Pankaj Kapoor) dream is to find a man who will put Alia to sleep. This process is a joke (not very funny) in Shaandaar. When the daughter of Pepin is to have a big wedding in the English country estate ceremony, and met Alia Pippen wedding planner, Jagjinder Joginder (Shahid Kapoor). He drives a bicycle, you can dance movements erupted It also means Insomniac. For this, Alia and Jagjinder Obviously each other. While Alia and attract each other peeling Jagjinder Fevicol palm consequential, Eesha realize that the man who was organizing her wedding ceremony has absolutely nothing going for it from his eight and a half pack of abs.
On paper, Shaandaar is the story of two sisters. One is the adopted child, struggling to find acceptance beautiful a Insomniac. The other is a good-hearted, chubby and used by his mother and grandmother to reach an agreement with a commercial partner for Aroras is almost bankrupt. On the screen, Shaandaar PayPal is trying to make frozen whole and movies blending almost Rajshri production, but in the Dharma container production. "
Each character of the values ​​are there, including Jeddah. There is a wonderful place, a wedding, a lot of meaningless sequences of letters and what is chaste romance silly animation and a little scary (Main Prem Ki Diwani Hoon remember?). Since it is produced by the Dharma, and the wedding will be held in England without any apparent reason, Bhatt wearing clothes that show your graceful figure, there 'chachu' gay clear limp wrist and a barber Karan Johar has a veil.
The best parts of Shaandaar are in your trailer and if you do survive a full 145 minutes, and you will realize that the way they were writing the film, directing, which is a series of drawings for the story YouTube appropriate. Why marry Aroras Eesha in England when they are on the verge of bankruptcy? How is it that two families businesswomen agree to the marriage of its members to marry without a little research on the prospective in-laws?
Pippen can draw cartoons that move, in fact, like the pictures in the newspaper series in the Harry Potter films. This does not strike anyone as big or even unusual. Why Alia get the panty when everyone gets breakfast? Any reason. Why Eesha pass down the interior of their clothes in Mandap? Just cause. There Ball "black and white", which does not consist of people wearing black and white clothes. That would be logical. Instead, it displays all the part in black and white.
Add anything in Shaandaar and some of the characters you have any kind of development. Inter is the wild child, Pippen thin but weak father dearest soul. And it works well Jagjinder. The only thing worse than that is Shaandaar editing the text, which makes the film meander, and forget about boring medley of songs, interspersed with some comedy work. The pace is weak and there is no tension in the film. And often it feels like a cut off large tracts of the story to make room for a thin mirror, silly or contribute to character or plot. Then in an instant, as if one could not take it anymore, the pressure on the story to a hasty end. The only thing worse than CGI is unnecessary and unprofessional, which affects the entire movie issue.
With all this against them, is that the cast credit Shaandaar which is not impossible to see. Shahid Kapoor and Alia Bhatt look fabulous and make every effort to keep you entertained with easy delivery and sharp dance movements. However, two completely convincing as a couple, not what love consists in the 21st century India from distances chaste and inane chatter. Sanah Kapoor (sister martyr) makes his debut and implausible as quieter sister, whose weight makes him the subject of ridicule for many people. However, Sandia Dom Agha Ke Haisha still our favorite heroine more than size. Pankaj Kapoor spends most of his time looking confused the screen, that about sums up what the public feels, too.
Nothing Shaandaar to an end, I can not help but wonder how much of the heavy lifting in the Queen made Kangana Ranaut.


Take a blank canvas. Daub some paint 'Orphan Annie "on it. Add a small touch of" Cinderella. "Repatriation and borrowing, which has a permanent" Aapke Hum Hain Kaun "and the latest" Dom Agha Ke Haisha ". And lacquered entirely with glitter and gold what Shaandaar" trying to do It is evident. Tales of the invention with the help of star glamorous, but ends up being a blinding everything mixture with something to brag own.
One day, a little Alia (Alia Bhatt, through its name) took home the Pope (Pankaj Kapoor), a man ruled by the mother money to boot (Sushma Seth) and wife. Inter grow without knowing where it came from, and not knowing how to sleep perchance to dream. Then her prince (Shahid Kapoor) mounted in your life, and everything changed.
Watch the video: Shahid Kapoor Alia comes to the rescue when asked about Siddharth Malhotra

There is enough on this premise that he would become a delicious mix, because the latter "Queen" Bal Vikas. But much more so stacked relentlessly fat-site large wedding, no, make that in a large Sindhi wedding of fat ceremony, palace somewhere in the United Kingdom, and teasing on the basis of gay people, embarrass the fat girl, stabbed level whimsy- feel it in the film, which is groaning under the assault of the dual brightness and nonsense in too early.
The film is swollen with excess. Songs dressed and go anywhere, without saying anything clothes. Sequence designed to show the aircraft and flights of fantasy real, but the ring. Costumery, flattery can work with other actors, but it is wrong to Alia. Under it all, she knows it's real, and it can not help us to let it. But here, they have to play as a nice persistently drowning in a series of gestures between the teeth. And the use of his name at the earliest? There is a problem there.
Shahid suffers from a personality in writing. It can be such a natural charm, but here does not allow the attack to stop, and finally only the next. It does not help to get in the ring with similar scenes have a real life with `Papaji, and there are several. Inter martyr and look good together, but nothing much they managed between them.
The only thing that makes an impression in this film full of people still without the play Sanah Kapoor, the real life of the sister-brother of the martyr, who plays the bride that is used as part of the "agreement" between the two families business. He has a pair of strong scenes, and so carry your weight. And the rest is a barrage of non-stop from the stereotypes that played for laughs: Sindhi richest men and his passion for living life clean, packs obsession eight and a half preparing Limp wrists and waist fat.
Where is "Shan" in all this?
Shaandaar Cast: Shahid Kapoor, Alia Bhatt, Pankaj Kapoor, Sanah Kapoor, Sanjay Kapoor Sushma Seth
Director: Vikas Bahl


In a big fat Indian wedding, which depends Shaandaar Bal Vikas is a very loud and boisterous anyone ever could have been conjured by Bollywood.

But there is a clear difference here - the rituals are abroad, and to compensate, looking for places untapped - and bursts of laughter.

In Shaandaar, freewheeling qualities of a fairy tale meets modern extravagant trips romantic filmi Khafji Joint Operations.

Director also cast in the animated flashbacks (with a voice message from Naseeruddin Shah) to highlight the motivations movie myth.

It has all the elements of ideals - orphaned princess trapped in a house without love, Prince fly out of nothing, and the man angry old who adores his daughter to the point of distraction.

There are, of course, is a bad Jeddah breast plots and character that makes every possible effort to make life miserable adopted child.

But the brave orphan is not one to give up without a fight. It has not only my father who stands her no matter what, is also a great time to join with his sister-sister.

Although Karan Johar make an appearance to conduct excavations good character in his own brand of entertainment, Shaandaar not afraid to go until the end.

While the results are at best mixed conditions, technical problems in the way we do a lot of damage to the great grace of the film in.

And he helped it touches colorful manager, flashes of smart writing (script: Anvita Dutt Guptan) which gave some strange sequences nicely, and many active views.

Even when the flags touch Shaandaar the lack of a continuous narrative force, especially in the second half, which enjoys strong support from the infectious joy and intensity that bring actors to the negotiating table.

Two drivers - Shahid Kapoor and Alia Bhatt - achieve spontaneous chemical and Pankaj Kapoor holds the balance with a touch of realism.

Performance between the modulated and impressive excessively rampant.
Mismatch serve to emphasize the two who are sharp division between business families about to be linked together through marriages of convenience flagrant.

At one end of the spectrum is the dinner size XL (Debutante Sanah Kapoor), the eldest daughter of a jealous Vipin Arora (Pankaj Kapoor), the heir to the business empire Punjabi in the past.

This family is headed by a matriarch breeders hell, Kamla Arora (Sushma Seth), who supports her three children in the Gulf.

Groom, burly, Robin crude (Diljit Dosanjh), is the brother of a charlatan, and gold Toring Sindhi tycoon Harry Fandwani gun (Sanjay Kapoor), who is moving faster than the brain of his mouth.

From the moment of the arrival of a marriage party imposing castle in the English countryside, it is thrown all caution to the wind on both sides.

The result ranges from moments of chaos rib tickling a few paragraphs boring to hang around aimlessly.

But Shaandaar not only for marriage and business deals - destination wedding is just the background of many small riots, including the preparation of romance between Jagjinder cocky Joginder Wedding Planner (Shahid Kapoor) and his sister playful bride phrase (Alia Bhatt).

Lovers are insomnia, endowed girl who dreams recorded on small chips of a loving father to them in the hope they will sleep a little bit today, makes common cause with JJ challenge to find the pleasures they denied.

It's a big question about the main actor to keep up with his father's skills in real life, but a martyr not only put the best foot forward in most of the scenes, he also does not let the strain of the elevator just heavy objects.

Alia, too, is a delightful accent is perfect in the way it deals with the role of a bright spark with the ability to roll one, and everyone around her little finger.

Crash of a variety of oddballs in this strange place generates a great deal of noise in the background.

And JJ bilateral strange and Alia are being forced to resort to more exotic ways to overcome the obstacles placed in its way.

A blackboard live songs, and the work of the pair of Amit Trivedi-songwriter and lyricist Amitabh Bhattacharya, enhance the live nature of the film.

At the height of the wedding song phail Raitaa Gaia, Bhattacharya launches line of jokes that will Gulzar Singh honey to Maine kaise geeton GHUS Jaya? "

We have seen in the context of the film as a whole, this question is a strange point in the direction that Pal really want to take Shaandaar.

Shaandaar not honey and Gulzar Singh - is a creature that is a unique and carefully prepared in the area between the excesses of the average wedding and simulation very cynical of this type film.

Queen Shaandaar not, either - not the general spirit of the rebellion who knows the former movie pal.

A drama mixed gender with enough intelligence unit to keep the audience interested in exotic clumsy sympathy of their personalities.

Shaandaar is a funny movie infused with great charm, which in turn is enhanced by grace Bahl director to give a touch of light, a characteristic that was on full display Queen.

While not up to its title as a package, to a large extent they meet the expectations of the public in a film produced in association with Karan Johar, on the one hand and Anurag Kashyap and Vikramaditya Motwane on the other hand in.

It combines two different worlds and achieves a balance between the two. So many other things, Shaandaar deserves a standing ovation.


How do you call a film that seems so dizzy-headed who knows where it is going, or waiting, and perhaps even sure of himself that he has a strut to the Forbidden superiority complex of the region? There need to be two hours long (to feel more) to measure which marks the category "Shaandaar. But with the approach of the end of it, stops his love.
Photos: Alia, Siddharth clock 'Shaandaar' Studies in Yashraj
Movie Review "Shaandaar"
Shahid Kapoor and Alia Bhatt in "Shaandaar. Pico / Santa Banta
It is supposed to be a fairy tale with a strange decision this film. One would expect naturally tablespoons of joy, but it is ironic and disappointing, Shaandaar choose to kill us with cliches that charm us with their privacy.
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Inter (Alia Bhatt), is a nerd ,, delight of young intelligent woman who has a history of back predictable yawningly, narrated to us through the velvet voice of Naseeruddin Shah. This is the sound that also reach us from Alia mixture theory be insomniac who has not slept for the past 25 years, and one day, the man went to sleep. He's crazy about his father Pepin Arora (Pankaj Kapoor) and his sister (Sanah Kapoor), but hates his mother (Nikki Aneja Walia) and complicity Jeddah (Sushma Seth). I knew it was the case of casting imagination when it comes to Seth as a rich, cunning woman with a pearl necklace around his neck. They must be asleep through these functions at the moment.
Inter meet Jagjinder Joginder (Shahid Kapoor) a few days after his sister's wedding in a castle dream ceremony before. And guess what, JJ is cheerful and good heart also Insomniac. While he constantly spars with the father-proof Alia, she joins her for a lack of sleep and the "inability" to dream.
A fairy tale setting, although that is often seen in romantic comedies set in England, it is perfect with this castle, playgrounds and green spaces around the plates and trays of colorful cakes and other goodies that make the rounds. However, what is really needed is the magic that usually come along with these amendments romantic story woven around him.
Shahid and Alia, with the actors are talented, they make a lovely couple. In fact, the scene where they spend the night together just goofing longing wonderful so we said what this film could have been, if they do not have manufacturers stuck his head in the clouds. We expect to see this pair in a better environment. Pankaj Kapoor, undoubtedly wonderful actor, does its job well. Sanah confidence and endearing.
The story lacks imagination, and the script is poor and dialogues without grace. The mood unlaughed some rest and go indigestion. For example, there is a scene that has been given to understand that a respected business magazine needs money to put people on their covers, and another when his grandmother puts a small boy on fire.